Curtains of Iron or Curtains of Silk? Soviet Artwork in Conversation with West and South Asia

The post-Soviet art of Central Asia and the Caucasus comes out of a Soviet-era conversation of artistic styles that looks not just to Moscow but also to Mecca. An understanding of the high and low registers of this Soviet cultural heritage allows the humor and self-confidence of the work to be appreciated — aesthetically as well as financially — by audiences.
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Crafts as Citizen Diplomacy: Slavs and Tatars on Revolutionary Media in Iran and Poland

Far from the tacit dismissal of handicrafts and folklore that has often characterised the modern project, Slavs and Tatars tend to see no less than the currents of history, political emancipation, and ideology in these otherwise discreet craft objects and practices. Some of these traditions – such as the mirror-mosaic – have been instrumentalized for ideological ends.
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