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If Sayat Nova wrote hundreds of songs in Armenian, Azeri, and Georgian, then why are the cross-cultural celebrations of Sayat Nova so few and far between? Gaps in the historical record and contemporary political environment make a pancultural perspective of the legendary bard of the Caucasus more difficult.
The Hrant Drink Foundation had undertaken the massive assignment of mapping hundreds of properties owned by the Armenian, Jewish, Greek and Syriac/Assyrian communities before the Genocide.
In the wake of the Ankara bombings, we investigate language of solidarity and liberty during protest movements.
The items collected for the Ajam Digital Archive will allow us to document and record history from below—how it was actually lived, experienced, and understood. It is precisely these histories that were ignored in favor of tales that focused exclusively on wars and revolutions, rarely giving us a sense of how life was lived amidst it all.
One hundred years on from the Armenian Genocide, we highlight but a few Armenian cultural organizations and producers in hopes of both remembering the past, and supporting Armenians who continue to build a better future.
In 2014, we covered a wide variety of topics ranging from morality and consumer culture in contemporary Iran to Soviet state planning in Yerevan and Afghan pop from the 70s, provoking a great deal of controversy along the way. Check out our ten most-viewed articles from 2014.
As the Ajam Media Collective mixtape series nears the double digits, we present this roundup of previous mixtapes to allow you to catch up on any mixes you may have missed, or give you a chance to revisit your favorites.
Ajam Media Collective recently worked with THE STATE, a Dubai-based publishing practice, to make a ‘zine. We provided the words and art while they provided the design to make a wonderful collaborative document. We are also publishing the work on our site, beginning with this introduction.
As UNESCO World Heritage sites, the Armenian Monastic Ensembles of Iran act as a celebration of the past, but not an examination of it. One may ask: where are the Armenians who lived here, if only their buildings remain? As landmarks are indoctrinated into the cult of heritage, we are able to consecrate something that speaks to cosmopolitanism without actually having to live it, or ask the question why the past no longer resembles the present.
Ajam’s latest podcast, this time featuring shared songs across from Southwest Asia. With samplings from Persian, Greek, Turkish, Arab and other language groups, this mixtape emphasizes the kinds of oft-forgotten transnational connections that exist in music.