Narges Bajoghli on Paramilitary Cultural Producers of the Iran-Iraq War

In another installment of the Emerging Scholarship series, Narges Bajoghli talks about Paramilitary Media during and after the Iran-Iraq War. Bajoghli explains the rise of war veteran filmmakers who have produced alternative narratives about the eight-year conflict in order to better communicate the “truth of war” to a younger generation of Iranians.
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Picturing the Other: Race and Afro-Iranians in Documentary Photography

These types of documentary ventures, both filmic and photographic, identify a racialized community as their subject, visibly recognizable by their visual characteristics. Despite this clear reliance on race, there is rarely much attention given to the issue of race itself. Instead, most tend to emphasize successful assimilation predicated on nationalist sentiments and champion the diversity of these communities. By ignoring race and its relationship to photography, we overlook crucial elements that have structured similar stories in the past.
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