Remembering to Forget: the Myth of the “Indian Style” of Persian Poetry
- Posted on
- byAjam Media Collective
- 14 minute read
Posts by tag
South Asia
14 posts
‘Where There is No Architect’: Histories from the Native Town of Bombay
Bombay’s history is woven around tales of cosmopolitanism. But while the grandiose architecture of the colonial city gets all the attention, the vernacular architecture built by the cosmopolitanism from below in the so-called “Native Town” nearby is too often overlooked.
Syriac Churches and Sephardic Synagogues: The Urban Legacy of Indian Ocean Cosmopolitanism in Kerala
In the southern Indian port city of Kochi, millennia of merchant cosmopolitanism have contributed to the growth of a diverse and syncretic culture that combines faiths, practices, and forms from across the Indian Ocean rim. The history of Syriac Christianity and Sephardic Judaism in the region offer a unique perspective on Kerala’s historic relationship with the Middle East.
Exhausted Geographies: Mapping the Dream of Pakistan in the Streets of Karachi
Ajam co-editor-in-chief Alex Shams interviews Shahana Rajani and Zahra Malkani about their new edited volume “Exhausted Geographies,” which explores representations of the urban space of Karachi, Pakistan through mapping.
Ajam Digital Archive: Recentering Personal and Communal Histories
The items collected for the Ajam Digital Archive will allow us to document and record history from below—how it was actually lived, experienced, and understood. It is precisely these histories that were ignored in favor of tales that focused exclusively on wars and revolutions, rarely giving us a sense of how life was lived amidst it all.
Parsi Mumbai: The Legacy of Zoroastrianism in India’s Urban Fabric
Despite the Zoroastrian community’s waning numbers, the urban fabric of Mumbai’s older neighborhoods remain dominated by symbols and reminders of the Parsi and Irani communities’ success in the Subcontinent.
Reppin Your Hood: Zabān, Pehchān and Pakistani Rap
Shahzad’s rap attempts a resurrection not only of a distinct Sindhi language, but also a Sindhi culture. His songs aren’t just in Sindhi, he also sees them as a continuation of the long Sindhi tradition of Sufi poems. While other Pakistani rappers, prominently BillyX, rap about topics deeply taboo in Pakistani society – sex and intoxicants – Shahzad seeks to reinvigorate a more traditional subject matter. But why through rap? Why resuscitate a tradition through a medium that is foreign to it? He likens it to wearing western dress when going to school; the medium does not compromise the message.