This photo essay features video footage from the Mehelle project, as well as photographs from Chinara Majidova, a Baku-based photographer. The accompanying text was written by Ajam Editor Rustin Zarkar.…
Ahmad Muxtar’s Red Frame not only documents Baku’s rapid urban transformation, but also explores the ways our perceptions of urban space are framed by social, political, and economic forces.
Perhaps the most widely known among these is the ceremonial spread called the Khan-e Nowruz or the Haft Chin. It features a variety of objects that symbolize key figures and values of Zoroastrian cosmology. The arrangement of this spread — or most of its elements — has historically emerged as a cultural practice shared among numerous peoples across West Asia, the Caucasus, and India.
Celebrated from Eastern Anatolia to the western parts of China, diverse communities claim Nowruz as their own New Year’s holiday. While many recognize that Nowruz, which coincides with the Spring Equinox, has roots in Zoroastrianism, very few know how Zoroastrians celebrate this holiday in parts of Iran today.
In the southern Indian port city of Kochi, millennia of merchant cosmopolitanism have contributed to the growth of a diverse and syncretic culture that combines faiths, practices, and forms from across the Indian Ocean rim. The history of Syriac Christianity and Sephardic Judaism in the region offer a unique perspective on Kerala’s historic relationship with the Middle East.
A photo essay depicting Muharram observances and preparation across Iran in October of 2015. During the Islamic month of Muharram, Muslims of all backgrounds participate in a series of rituals observing the martyrdom of Husayn ibn ‘Ali, the grandson of the prophet Muhammad, and his companions at the Battle of Karbala in 680 A.D.
Despite the Zoroastrian community’s waning numbers, the urban fabric of Mumbai’s older neighborhoods remain dominated by symbols and reminders of the Parsi and Irani communities’ success in the Subcontinent.