This guest mix from Outtalectuals takes the Ajam mixtape series to new planes, both sonically and geographically. This mix came to fruition as an attempt to use the Ajam platform to show artists who are critically and uniquely engaging with music that is often cordoned off into the “world music” sphere. Instead, Outtalectuals takes these sounds as influences to deeply connect with, rather than cliches to reproduce and slightly modify.
Nowruz — which literally means “new day” in Persian — means new beginnings. As a holiday associated with the coming of spring, it is naturally a productive force and a time of reflection on the year that has past as well as our wishes for the year to come. May the year 1394 be full of ideas, creativity, love, resistance, and power for all.
Kamyar Jarahzadeh aka Yavaran brings us to the dance floor once again, this time with a wedding-themed mixtape in time for Valentine’s Day. This mix highlights the shared happiness and culture that surrounds the region’s marriage celebrations.
Ajam mixtapes continue, this time with a sample of music that features Persian poetry as it appears in different musical forms. This mix showcases the myriad of ways Persian poems find their way into music, ranging from Rumi poems sang over classical styles to readings of American poetry in translation. Each poem is accompanied with an English translation.
In 2014, we covered a wide variety of topics ranging from morality and consumer culture in contemporary Iran to Soviet state planning in Yerevan and Afghan pop from the 70s, provoking a great deal of controversy along the way. Check out our ten most-viewed articles from 2014.
As the Ajam Media Collective mixtape series nears the double digits, we present this roundup of previous mixtapes to allow you to catch up on any mixes you may have missed, or give you a chance to revisit your favorites.
Ajam’s latest podcast, this time featuring shared songs across from Southwest Asia. With samplings from Persian, Greek, Turkish, Arab and other language groups, this mixtape emphasizes the kinds of oft-forgotten transnational connections that exist in music.
In the 1980s, new Iranian musicians in the United States joined communities of other diaspora performers from Greece, Armenia, and the Arab World. In cities like New York and Los Angeles, these communities not only lived side-by-side but built upon the shared foundations between their cultures. Just as Middle Eastern markets in Los Angeles typically have bargain bins of CDs and tapes with music from across the region, instrumentalists from different countries often performed alongside each other.