Ahmad Muxtar’s Red Frame not only documents Baku’s rapid urban transformation, but also explores the ways our perceptions of urban space are framed by social, political, and economic forces.
With more and more tourists visiting Iran every day, Ajam and See You In Iran have teamed up to bring you a travel series to Iran’s diverse cities. This first installation focuses on the vibrant urban life of Tehran, Iran’s largest city and capital.
Perhaps the most widely known among these is the ceremonial spread called the Khan-e Nowruz or the Haft Chin. It features a variety of objects that symbolize key figures and values of Zoroastrian cosmology. The arrangement of this spread — or most of its elements — has historically emerged as a cultural practice shared among numerous peoples across West Asia, the Caucasus, and India.
Celebrated from Eastern Anatolia to the western parts of China, diverse communities claim Nowruz as their own New Year’s holiday. While many recognize that Nowruz, which coincides with the Spring Equinox, has roots in Zoroastrianism, very few know how Zoroastrians celebrate this holiday in parts of Iran today.
Despite the Zoroastrian community’s waning numbers, the urban fabric of Mumbai’s older neighborhoods remain dominated by symbols and reminders of the Parsi and Irani communities’ success in the Subcontinent.
Ashura is a day of mourning marked by Muslims around the world to commemorate the martyrdom of the grandson of the prophet Muhammad, Hossein, and his compatriots. As a day of commemoration, it has been marked by people of all faiths across large swathes of South, Central, and Western Asia for centuries. This photo essay documents presents a look at the ritual in Istanbul’s Zeynebiye neighborhood in 2013, the center of the city’s Shia population.
Ahmad Zahir, the major Afghan pop singer of the 1970s, died mysteriously in 1979, a year of upheaval and turmoil in Afghanistan’s political history. Since then, many Afghans, in diaspora and in Afghanistan, maintain a special relationship with Ahmad Zahir and his music. This article explores the memory of one family in using Ahmad Zahir as a way to connect to their homeland.
Since gaining independence, Yerevan has been subjected to a complex process of postcolonial nation-building while simultaneously adopting globalized urbanization trends. Similar to many other gentrifying cities, demolition and displacement are becoming more and more a common practice. New multinational construction projects are presented and justified as acts of nation-building while the low income majority is expected by the emerging elite to make sacrifices for the benefit of the nation as a whole.