A Year in Ajam: Revisiting Our Best Articles from 2017
- Posted on
- byRustin Zarkar
- 5 minute read
Posts by author
Rustin Zarkar
25 posts
Ajam’s Mehelle: Recording Everyday Life in Endangered Neighborhoods
Ajam Media Collective has created Mehelle— a new project dedicated to preserving the sights, sounds, and memories of rapidly-changing neighborhoods from Eastern Anatolia to Central Asia. It will serve as a multimedia resource for local inhabitants, community organizers, and urban researchers long after such neighborhoods have been demolished, gentrified, or transformed by private and state-led construction projects.
(Red)Framing Baku: Photographing Urban Change in Azerbaijan’s Capital
Ahmad Muxtar’s Red Frame not only documents Baku’s rapid urban transformation, but also explores the ways our perceptions of urban space are framed by social, political, and economic forces.
Mikiya Koyagi on Travel, Mobility, and the Trans-Iranian Railroad
In another installment of the Emerging Scholarship series, Mikiya Koyagi talks about the construction of the Trans-Iranian Railroad and how it transformed conceptions of Iranian society.
Narges Bajoghli on Paramilitary Cultural Producers of the Iran-Iraq War
In another installment of the Emerging Scholarship series, Narges Bajoghli talks about Paramilitary Media during and after the Iran-Iraq War. Bajoghli explains the rise of war veteran filmmakers who have produced alternative narratives about the eight-year conflict in order to better communicate the “truth of war” to a younger generation of Iranians.
Artifacts: the Paykan
The Paykan, like many of its drivers, has survived the tumult of revolution, war, reconstruction, and economic crises. The resilience of the Paykan mirrors that of 20th and 21st Century Iran, which can explain why it still endures not only as functional car, but also as a symbol of collective experiences and an object of nostalgia.
Goodbye Lenin, Hello Timur: The Evolution of National Monuments in Uzbekistan’s Capital City
National monuments in the Uzbek public sphere are often viewed as indicators of A concerted effort to break from Russian historiography and establish counter-narratives predating both Tsarist imperialism and the Soviet experience. However, if one carefully examines 20th century mechanisms of control in Central Asia, it is clear that Uzbek strategies to resignify historical and literary figures are derived from Soviet historiography.