This resource was put together by volunteers from Track The Ban, Vigilant Love, and Ajam Media Collective, as well as independent members of our larger communities. Overview On Friday, January 27,…
The guide below is available in the following languages as a PDF for easy printing and distribution. *Please note that this guide was created on Monday, January 30, 2017 and some…
Afghan refugees in Turkey are in legal limbo in which their status is unclear. They have the right to reside in the country, but lack the right to work or the kind of state assistance needed to avoid working. To be a refugee in Turkey then requires navigating life between a state-acknowledged realm of illegality, and the uncertainty of how global trends can affect the fate of a refugee population.
Another installment of the Emerging Scholarship series, where we sat down with Dr. Lior Sternfeld and talked about the Polish refugee community in Iran during and after World War II. Dr. Sternfeld explains Iranian relations with other countries during World War II and what this meant for its new European refugee community.
Never having visited the Republic of Bangladesh, my reflections are probably missing a certain something. Nevertheless I began to ask about the suburb’s unofficial name. “Why is it called Bangladesh?” mimicked a colleague, incredulous. “Because it’s hot, poor, far away, and nobody knows much about it.”
The post-Soviet art of Central Asia and the Caucasus comes out of a Soviet-era conversation of artistic styles that looks not just to Moscow but also to Mecca. An understanding of the high and low registers of this Soviet cultural heritage allows the humor and self-confidence of the work to be appreciated — aesthetically as well as financially — by audiences.
I am Nasrine is the tale of two Iranian siblings who migrate to England and find a world of rampant discrimination that looks little like what they expected. The tragedy of the film is not one that can be easily limited to English housing estates or the plight of Iranian emigres. Indeed, this tale of migrant survival and struggle is far more universal, a searing indictment of the limits of liberalism and the failure of international and local humanitarian bureaucracies — as well as receiving societies as a whole — to effectively understand migrants as complex human beings.
There are mountains and there are roads. From an airplane, Eastern Anatolia looks like Frankenstein’s monster as the craggy mountains of the Zargos, Tarsus, and Caucasus ranges collide with geologic logic, sutured together by some of the finest roadways in the world. The modern republics facing this jagged jumble are as powerful as that monster, but perhaps also as hollow.
Yura Movsisyan came to the United States as a refugee from violence in his formerly-cosmopolitan, formerly Soviet, hometown of Baku. Now one of the best young soccer players in the world, he has become a national treasure for Armenians and for Americans. As a Hometown Hero for a worldwide diaspora community, Movsisyan has become a unique young man who is the symbol of a new 21st century Armenianness.
Part III of a series on Afghan refugees in Iran. Earlier this year, I begun a series highlighting the experiences of Afghan refugees in Iran. By focusing on cultural production,…