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Long FormCurtains of Iron or Curtains of Silk? Soviet Artwork in Conversation with West and South AsiaPosted on May 13, 2014December 3, 2020byAsher Kohn8 minute read Share
Long FormFrom Tehran to Newcastle: “I Am Nasrine” and the Politics of Telling Migrant NarrativesPosted on February 10, 2014January 23, 2023byAlex Shams10 minute read Share
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Long FormInternalized Colonial Narratives in Pakistani Cinema: Liberalism, “Good Muslims,” and the War on TerrorPosted on July 2, 2013December 3, 2020byHamzah Saif8 minute read Share
Long FormA Fistful of Rials: Morality and Iranian Cowboy Masculinities in a Shirazi WesternPosted on May 28, 2013December 3, 2020byAsher Kohn7 minute read Share
Long FormQueer and Trans Subjects in Iranian Cinema: Between Representation, Agency, and Orientalist FantasiesPosted on May 11, 2013December 3, 2020byAjam Media Collective9 minute read Share
BlogÇanakkale: Historical Memory in the MakingPosted on November 19, 2012December 3, 2020byAjam Media Collective8 minute read Share
Long FormPolitics of the Iranian Box Office: Mocking the Morality Police and Green Movement ConspiraciesPosted on April 12, 2012December 3, 2020byAlex Shams4 minute read Share
Long FormFar From Home: Portrayals of the Afghan Refugee in Iranian CinemaPosted on February 29, 2012August 18, 2021byRustin Zarkar5 minute read Share