Iran Modern? Sure, What About It?: A Conversation about the Curation and Preservation of Memory, Modernity and Nationalism

Curating Iranian art, an indistinguishable discourse from the overall knowledge production about target societies, becomes an occasion to debate the ramifications of global/local binary anew as a form of philosophical concern as an existentially entangled with geopolitical history and aesthetic heritage. Can a diasporic conceptualization of local existence be salvaged through its global pursuit of truth without having to resort to ready-made methodological channels of identity, culture, and history?
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