Picturing the Other: Race and Afro-Iranians in Documentary Photography

These types of documentary ventures, both filmic and photographic, identify a racialized community as their subject, visibly recognizable by their visual characteristics. Despite this clear reliance on race, there is rarely much attention given to the issue of race itself. Instead, most tend to emphasize successful assimilation predicated on nationalist sentiments and champion the diversity of these communities. By ignoring race and its relationship to photography, we overlook crucial elements that have structured similar stories in the past.
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گرافیتی به سبک ایرانی: آثار قلمدار، هنرمند خیابانی تهران‌

گروه رسانه‌ی عجم از سال 1392 تاکنون مجموعه مقاله‌هایی درباره‌ی هنرهای تجسمی ایرانیان داخل و خارج کشور نوشته و نمایشگاه‌های هنری نیویورک، هنرمندان خیابانی تهران و برنامه‌ی زیباسازی شهرداری مشهد…
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