This tag is associated with 30 posts

این‌جا بایستی ایران می‌بود» : دبی در پنداشت‌ِ ایرانیانِ دبی»

مترجم: ج.س For the English version of this article, “This Place Should Have Been Iran”: Iranian Imaginings in/of Dubai, click here. گاهی یک جمله در گفتگویی می‌تواند تاثیری پایدار در ذهن بگذارد. سال ۲۰۱۰ که مشغول تحقیقات میدانی مربوط به تز خود در دبی بودم، متوجه‌ی ارزش این نوع جملات شدم. آن سال من به طور منظم … Continue reading »

Ajam Mixtape #8: Shared Songs

Ajam’s latest podcast, this time featuring shared songs across from Southwest Asia. With samplings from Persian, Greek, Turkish, Arab and other language groups, this mixtape emphasizes the kinds of oft-forgotten transnational connections that exist in music. Continue reading »

Ajam Mixtape #7: Diaspora Pop Classics

In the 1980s, new Iranian musicians in the United States joined communities of other diaspora performers from Greece, Armenia, and the Arab World. In cities like New York and Los Angeles, these communities not only lived side-by-side but built upon the shared foundations between their cultures. Just as Middle Eastern markets in Los Angeles typically have bargain bins of CDs and tapes with music from across the region, instrumentalists from different countries often performed alongside each other. Continue reading »

Armenia’s Bangladesh: Portrait of a Yerevan Suburb

Never having visited the Republic of Bangladesh, my reflections are probably missing a certain something. Nevertheless I began to ask about the suburb’s unofficial name. “Why is it called Bangladesh?” mimicked a colleague, incredulous. “Because it’s hot, poor, far away, and nobody knows much about it.” Continue reading »

Curtains of Iron or Curtains of Silk? Soviet Artwork in Conversation with West and South Asia

The post-Soviet art of Central Asia and the Caucasus comes out of a Soviet-era conversation of artistic styles that looks not just to Moscow but also to Mecca. An understanding of the high and low registers of this Soviet cultural heritage allows the humor and self-confidence of the work to be appreciated — aesthetically as well as financially — by audiences. Continue reading »

The King Hasn’t Left The Building: An Oral History of an Afghan Musical Icon, Ahmad Zahir

Ahmad Zahir, the major Afghan pop singer of the 1970s, died mysteriously in 1979, a year of upheaval and turmoil in Afghanistan’s political history. Since then, many Afghans, in diaspora and in Afghanistan, maintain a special relationship with Ahmad Zahir and his music. This article explores the memory of one family in using Ahmad Zahir as a way to connect to their homeland. Continue reading »

Ajam Mixtape #3: Sounds of Nowruz

The Ajam Family would like to wish you all a very happy Nowruz and spring season. Enjoy this podcast, which collects the sounds of festivities from the different parts of the world that celebrate this joyous day. Continue reading »

Accelerating Beyond “Iran”? An Interview with Mohammad Salemy on Telecomputation, Digital Production, and Diaspora

While the theoretical problem of the local and global has been long exhausted by the globalization of Iranian cultural capital, the radical treatment of this binary in Mohammad Salemy’s curatorial practice through his engagement with Reza Negarestani’s brand of universal and rationalist philosophy is reenergizing the debate about the complex symmetry of the binary’s components. Continue reading »

Inclusion and Representation in Comic Books: A Pakistani-American Teenage Hero

Ms. Marvel’s latest comic featuring Kamala Khan raises important questions about issues of identity among second generation Pakistani-Americans. Values, tradition, and skin color are all relevant topics of discussion in the comic, which presents its hero as utterly normal and American. This article analyzes the importance of representation for Pakistani-Americans, whose presence and history has thus far been largely excluded from the American narrative. Continue reading »

Ajam Mixtape #2: Psychedelic Sounds from Iran and Beyond

This mix attempts to break away from looking at psychedelic rock as a Manichean battlefield between “eastern” and “western” sounds and instead, showcases how this genre allowed Iranian artists to engage in musical conversations with Western music, local sounds, and the sounds of neighboring countries. Thus, psychadelic music, which itself emerged from the interactions between young Western artists and Indian Classical Music, served as a platform for Iranian artists to inventively experiment as well. Continue reading »

All words are © Ajam Media Collective, and all photographs are as well unless otherwise noted.
We use a Creative Commons 4.0 license and we ask that all of our work be properly cited with a link and attribution.