This tag is associated with 71 posts

Rewriting Hafez: Re-theorizing Untranslatability in Persian Poetry

Translation can be characterized as an interplay between literary traditions, a process that illuminates the difference in approaches to and articulation of poeticity. Consequently, linguistic and cultural challenges arise that need to be addressed by the translator regardless of his or her approach to translation. The Persian literary tradition presents unique challenges that are particularly well-revealed in the ghazaliyyāt of Hafez of Shiraz, a poet who is widely read in Persianate societies. Poets and scholars alike have expressed the difficulty of translating Hafez. Continue reading »

Ajam Mixtape #6: Folk and Avant-Garde

Our mix this month presents a seemingly unorthodox combination: avant-garde and folk music from Iran and the region. The goal with this month’s podcast was to continue presenting samples of Iran’s many musical traditions in a multitude of forms to show the variety and ongoing development of Iran’s diverse folk music traditions. (Photo Credit: Shahrokh Dabiri) Continue reading »

گرافیتی به سبک ایرانی: آثار قلمدار، هنرمند خیابانی تهران‌

گروه رسانه‌ی عجم از سال 1392 تاکنون مجموعه مقاله‌هایی درباره‌ی هنرهای تجسمی ایرانیان داخل و خارج کشور نوشته و نمایشگاه‌های هنری نیویورک، هنرمندان خیابانی تهران و برنامه‌ی زیباسازی شهرداری مشهد را پوشش داده است. در این نوشتار، یکی از سردبیران ارشد عجم، راستین زرکار، با قلمدار، هنرمند ساکن تهران، به گفتگو نشسته تا درباره‌ی وضع … Continue reading »

Making Graffiti an Iranian Art: The Works of Tehran-based Street Artist Ghalamdar

The work of Tehran-based street artist Ghalamdar exemplifies a new direction in Iranian street art. While the majority of artists operating in Iran are heavily influenced by motifs and techniques popularized outside of Iran, Ghalamdar is inspired by endemic calligraphic styles and miniature paintings that have been the primary targets for 20th century modernist art. In several conversations with AjamMC, the artist discussed how Iranian visual and literary culture influenced his work and how dominant trends in Iranian street art have solidified. Continue reading »

Ajam Mixtape #5: Jazz in Iran through the Decades

Our latest mixtape by our Digital Resident, Kamyar aka Yavaran. Here he takes us through a sampling of jazz from the 1950s through the present to tell the history of Iran’s relationship with jazz. Track list includes songs from Duke Ellington, Viguen, 127 Band, and others. Continue reading »

Ajam Mixtape #4: Influential Voices of Iranian Hip Hop

Ajam brings you a mix that attempts to capture a wide range of some of the influential voices in the current Iranian hip-hop scene. The beats and production work have audibly international influences, with traditional instruments like the santoor coexisting with bass-heavy hip-hop drums. Between so many styles, multiple languages, and multiple aesthetics, Iranian rap never fails to tell its own story. (Graffiti Cover image: Elf Crew) Continue reading »

A Mural Erased: Urban Art, Local Politics, and the Contestation of Public Space in Mashhad

Municipal politics around beautification programs reveal the complexity of governance in Iran and shatter illusions about the monolithic nature of the Iranian state. By exploring how local actors express often-contradictory opinions about the nature and future of Iranian cities, a fuller picture of modern life and politics in Iran emerges — one that highlights the diffuse nature of power and local decision-making in the Islamic Republic. Continue reading »

Ajam Mixtape #3: Sounds of Nowruz

The Ajam Family would like to wish you all a very happy Nowruz and spring season. Enjoy this podcast, which collects the sounds of festivities from the different parts of the world that celebrate this joyous day. Continue reading »

On Literature and Worldliness: A Conversation with Mahmoud Dowlatabadi

What does it truly mean to be worldly, and yet rooted in the geographical, historical, and cultural circumstances that mandate artistic expression? A conversation with one of the masters of modern Persian literature, Mahmoud Dowlatabadi. Continue reading »

A Fashionable Revolution: Veiling, Morality, and Consumer Culture in Iran

The everyday practice of the mandatory veil has indeed been noticeably shifting ever since the first generation of women who were born after the 1979 Revolution came of age in the mid-1990’s. This kind of fascination with Iranian women and their sense of dress, however, obscures the complexities surrounding how Iranian women actually practice the mandatory veil. These articles produce simplistic generalizations by treating women’s bodily surfaces as a measure of societal progress and morality; romanticizing the notion of resistance; and eliding the significance of class and consumer culture in everyday urban life. Continue reading »