Ajam rings in 2017 with the past year’s top ten articles.
In late 2013, filmmaker Vincent Moon visited Azerbaijan to create a documentary about the country’s traditional music, the places that gave birth to it, and the culture surrounding it. After…
The Hrant Drink Foundation had undertaken the massive assignment of mapping hundreds of properties owned by the Armenian, Jewish, Greek and Syriac/Assyrian communities before the Genocide.
The satellite dish made a significant impression on Iranian society in those years. It was an accessible window into other worlds. Iranians could glimpse the social lives of other peoples through its programs; learn of the latest consumer goods through its advertisements; and follow life-style channels.
The Paykan, like many of its drivers, has survived the tumult of revolution, war, reconstruction, and economic crises. The resilience of the Paykan mirrors that of 20th and 21st Century Iran, which can explain why it still endures not only as functional car, but also as a symbol of collective experiences and an object of nostalgia.
During the 1980s, the uncanny nature of “culture” emerged as the focus of much debate in the social sciences. The consensus today is that “culture” is not a coherent and timeless thing that is always bound to a certain place. It is contested, and though it can materialize in things and actions it always exceeds them as well. Academics today prefer to focus on the politics of “culture”: the claims that it is invoked to make, and by whom.