Curtains of Iron or Curtains of Silk? Soviet Artwork in Conversation with West and South Asia

The post-Soviet art of Central Asia and the Caucasus comes out of a Soviet-era conversation of artistic styles that looks not just to Moscow but also to Mecca. An understanding of the high and low registers of this Soviet cultural heritage allows the humor and self-confidence of the work to be appreciated — aesthetically as well as financially — by audiences.
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The King Hasn’t Left The Building: An Oral History of an Afghan Musical Icon, Ahmad Zahir

Ahmad Zahir, the major Afghan pop singer of the 1970s, died mysteriously in 1979, a year of upheaval and turmoil in Afghanistan’s political history. Since then, many Afghans, in diaspora and in Afghanistan, maintain a special relationship with Ahmad Zahir and his music. This article explores the memory of one family in using Ahmad Zahir as a way to connect to their homeland.
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Ajam Mixtape #2: Psychedelic Sounds from Iran and Beyond

This mix attempts to break away from looking at psychedelic rock as a Manichean battlefield between “eastern” and “western” sounds and instead, showcases how this genre allowed Iranian artists to engage in musical conversations with Western music, local sounds, and the sounds of neighboring countries. Thus, psychadelic music, which itself emerged from the interactions between young Western artists and Indian Classical Music, served as a platform for Iranian artists to inventively experiment as well.
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