Blackness on the Iranian Periphery: Ethnicity, Language, and Nation in Bashu, the Little Stranger

Through Bashu’s attempts to assimilate into a village where his dark skinned features and Khuzestani Arabic denotes his displacement, Beizai’s film prompts criticisms of ethnocentric Persian nationalism and questions the experience of blackness in Iran, while neatly underscoring the tension between nationalism and gender.
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