Taziyeh in Motion: The Traveling Culture of Iranian Muharram Theater

What are some of the ways that the Ashura mourning plays of ta’ziyeh get translated when traveling to foreign lands? What elements of the tradition are altered and similarly, what elements are kept in tact? How can a foreign audience negotiate themselves as alternative spectators? Can ta’ziyeh be a site of travel in itself? Exploring possible answers to such questions allows leeway into the ever-evolving global discussion of our complex and entangled modernity.
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