Bombay’s history is woven around tales of cosmopolitanism. But while the grandiose architecture of the colonial city gets all the attention, the vernacular architecture built by the cosmopolitanism from below in the so-called “Native Town” nearby is too often overlooked.
Ahmad Muxtar’s Red Frame not only documents Baku’s rapid urban transformation, but also explores the ways our perceptions of urban space are framed by social, political, and economic forces.
Ajam Media Collective recently worked with THE STATE, a Dubai-based publishing practice, to make a ‘zine. We provided the words and art while they provided the design to make a wonderful collaborative document. We are also publishing the work on our site, beginning with this introduction.
As UNESCO World Heritage sites, the Armenian Monastic Ensembles of Iran act as a celebration of the past, but not an examination of it. One may ask: where are the Armenians who lived here, if only their buildings remain? As landmarks are indoctrinated into the cult of heritage, we are able to consecrate something that speaks to cosmopolitanism without actually having to live it, or ask the question why the past no longer resembles the present.
The preservation and restoration of religious buildings become implicated in complex and polemical questions of Georgian nationhood, citizenship, identity, and belonging. The production of a neoliberal notion of cosmopolitanism based on tolerance and celebration of different ethno-religious groups within national borders, enshrined in the preservation of religious buildings, is part and parcel of this re-branding campaign. The presentation of a public space that celebrates diversity does not however necessarily translate to lived reality where difference just is.
Since gaining independence, Yerevan has been subjected to a complex process of postcolonial nation-building while simultaneously adopting globalized urbanization trends. Similar to many other gentrifying cities, demolition and displacement are becoming more and more a common practice. New multinational construction projects are presented and justified as acts of nation-building while the low income majority is expected by the emerging elite to make sacrifices for the benefit of the nation as a whole.