The Emergence of ‘Home Shows’: The Market and Politics of Television Entertainment in Iran

Recently, Iranian television production has the proliferation of “home shows” (namâyesh-e khânegui). These series have official government permission to be produced, yet are only allowed to be distributed through DVD sales. How has the “home show” network opened an alternative space of expression within the official media landscape of the Islamic Republic?
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Filming America 1979: Iranian-American Memories of the Year Our Lives Turned Upside Down

For those of us who did not experience the trauma of 1979 and the years that followed, our parents’ memories and stories have been largely inaccessible to us. The era’s legacy is primarily one of silence; Iranian-Americans have largely ignored their personal traumas and tried to move on with their lives, throwing themselves completely into the American dream and struggling to put the years of alienation behind them. Lila Yomtoob is an Iranian-American filmmaker whose latest project is entitled America 1979 and explores the experiences of an American family of Iranian heritage during the Iran Hostage Crisis.
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Queer and Trans Subjects in Iranian Cinema: Between Representation, Agency, and Orientalist Fantasies

Historically, some Europeans have fantasized about the closed-door sexual lives of Middle Easterners, especially homosocial spaces and same-sex relations. The movie Circumstance has received relatively positive public reception in the West due to this conformity to Western Orientalist imaginaries; ]Facing Mirrors challenges the hegemonic and Orientalizing narrative of Iran’s sexual and gender minorities, and is thus ignored from the cultural public domain.
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