Ajam Media Collective has created Mehelle— a new project dedicated to preserving the sights, sounds, and memories of rapidly-changing neighborhoods from Eastern Anatolia to Central Asia. It will serve as a multimedia resource for local inhabitants, community organizers, and urban researchers long after such neighborhoods have been demolished, gentrified, or transformed by private and state-led construction projects.
Ahmad Muxtar’s Red Frame not only documents Baku’s rapid urban transformation, but also explores the ways our perceptions of urban space are framed by social, political, and economic forces.
The Paykan, like many of its drivers, has survived the tumult of revolution, war, reconstruction, and economic crises. The resilience of the Paykan mirrors that of 20th and 21st Century Iran, which can explain why it still endures not only as functional car, but also as a symbol of collective experiences and an object of nostalgia.
National monuments in the Uzbek public sphere are often viewed as indicators of A concerted effort to break from Russian historiography and establish counter-narratives predating both Tsarist imperialism and the Soviet experience. However, if one carefully examines 20th century mechanisms of control in Central Asia, it is clear that Uzbek strategies to resignify historical and literary figures are derived from Soviet historiography.